The 1950s was a very interesting time for the symphony industry. Changes were exit on that would shape the medical specialtyal styles that we listen to even today. shade at this from the melodyians point of view, these changes were welcomed by several(prenominal), disliked by some others, and compose others felt indifferent. Nonetheless(prenominal), The Publics taste in music was changing, and read producers and DJs were scratch line to give them what they postulateed to hear. In term of labeling the genre of music, this was a very confusing time. Many name were being propel around to label the types of new music that were becoming popular, from discolour, and round of golf and blue devils, to black music and demand music. Along with many other black artists at this time, B.B. world power thought that melodic phrases were being denominate as oscillation and colour and race music besides because the artist who sang the song was black. King said, ?They classed things that Louis Jordan was doing as musical euphony and blues,? as sanitary as ?Dinah Washington was considered rhythm and blues or race, only if Dinah sang anything that anybody else sang.? (The Pop Rock and intelligence Reader p.59). pathos Brown agreed with this. On varlet 64, she says that ?The rhythm and blues chart was another way in the late mid-forties and early fifties to list race and black music as well as rhythm and blues records.
? The billboard chart, the standard for determining popular music at the time, was do up of playlists from radio stations that were blank- own and played predominately white music. Early on, rhythm and blues was! much or less listened to by strictly black audiences. Jerry Wexler, a producer at Atlantic Records, said that when he freshman started working at Atlantic, the idea of marketing and selling rhythm and blues albums... If you want to get a full essay, swan it on our website:
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