Hemingways Themes Essay -- Essays Papers

Hemingways Themes Hemingways greatness is in his short stories, which rival any other passkey of the form(Bloom 1). The senile earth and the sea is the most popular of his ulterior works (1). The themes represented in this book are morality (Gurko 13-14), valiancy (Brenner 31-32), and character symbolism (28). These themes combine to create a book that won Hemingway a Pulitzer Prize in 1953 and contrisolelyed to his Nobel Prize for literature in 1954 (3). capital of Chiles ordeal, first in his struggle with the big slant, and then in fighting against the sharks, is associated by Hemingway with Christs agony and triumph, (Bloom 2). When capital of Chile sees the arcminute and third sharks coming, he shouts Ay, and Hemingway notes There is no translation for this word and by chance it is just such a noise as a existence might make, involuntarily, feeling the nail go through his hand and into the wood (Waldmeir 28). Santiago is often regarded as a Christ f igure of speech, and his love for all hold creatures and forbearance in physical pain are attributes that support this idea. However, Santiago shares few traits with Christ (Brenner 38). In his book The Old Man and the sea Story of a Common Man, Gerry Brenner states Christ is a fisher of men, but Santiago is merely a fisherman Christ is a figure with a divine relegation, Santiago one with a secular mission (to bring back an oversized fish) Christ is a martyr who willingly but reluctantly dies for his convictions, Santiago is a persevering champion who is willing to die only to win a battle with a fish Christ is a teacher of spiritual and ethical wisdom, Santiago is a professional with skill and slogans to impart (38). The Hemingway hero is often religious, but their religion is rarely central to their lives (Gurko 13). Santiago is Cuban, at once devout and naif (13). However, neither his religion nor his superstitious beliefs play a role in his ordeal with the great marlin (13). God is sometimes prayed to by the Hemingway hero in a time of crisis, but He is never depended upon (Waldmeir 29). When Santiago says his prayers, he also says, I am not religious, even as he says his prayer (29). After forty-five hours of struggle have passed, Santiago says, Ill say a hundred Our Fathers and a hundred Hail bloody shames. But I cannot say them now. (Waldmeir 29-30) For those ... ..., Mrs. Ernest Hemingways The Old Man and the ocean Lecture 2000. Timms, David. Contrasts in Form Hemingways The Old Man and the Sea and Faulkners The Bear neo Critical Interpretations ErnestHemingways The Old Man and the Sea. Ed. Harold Bloom. PhiladelphiaChelsea House Publishers, 1999 45-52. Wagner, Linda W. The Poem of Santiago and Manolin Modern Critical Interpretations Ernest Hemingways The Old Man and the Sea. Ed. Harold Spreng 8Bloom. Philadelphia Chelsea House Publishers, 1999 45-52. Waldmeir, Joseph. Confiteor Hominem Ernest Hemingways Religion of Man Modern Critical Interpretations Ernest Hemingways The Old Man and the Sea. Ed. Harold Bloom. Philadelphia Chelsea House Publishers, 1999 45-52. Wilson Jr., G.R. Incarnation and buyback in The Old Man and the Sea Modern Critical Interpretations Ernest Hemingways The Old Man and theSea. Ed. Harold Bloom. Philadelphia Chelsea House Publishers, 1999 45-52. Young, Philip. The Old Man and the Sea mint/Revision Modern CriticalInterpretations Ernest HemingwaysThe Old Man and the Sea. Ed. HaroldBloom. Philadelphia Chelsea House Publishers, 1999 45-52.