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calamity in Comedy EssayTragedy in Comedy is only a bad dream. This report ironically captures the fable created by Shakespeares A Midsummer Nights Dream. While in the adjoin, the night spent by the three couples and the performers in the woods foreign Athens is felt by them to be a wild dream, for the audience viewing this comedy, the tragic elements at the beginning of the play depend less like the reality in Shakespeares make-believe world. This world has gods and lovers, half- military man half-donkey, and goblins spreading love potions. The play captures many elements from the English mythological tradition, and uses them with poise and reserve. As one of the most popular adaptations for film and theatre of operations in modern times, the play survives its intricate plot, typical characterization and reserved prose. The play begins in the kin of Egeus with Hermia maintaining against the wish of her father to marry the man chosen by him. In response, he invokes the quaint Athenian law that states that a daughter must marry according to the wishes of her father, or else face death. scarce Egeus gives Hermia another choice, to observe a lifelong chastity in the worship of the goddess Diana as a nun. Hermia decides to chase away with her lover, Lysander and they both flight to marry in the house of Hermias aunt. They then escape to the wood outside Athens. Hermia has told of this to no one entirely her friend Helena, who, out of jealousy at being rejected by Demetrious, decides to tell him this in order to gain his favor. The humor here lies in the bitchy love personal business that make Helena betray her friends secret.In paintings and other art depicting the horizon of confiding, the two are shown in close consultation, secretive and bonding. Thus, the scene is essential in the way that it builds up to the confusion, with Helena trailing Demetrius in his quest to trace Hermia and her lover. It also breaks away from the image, where sacrifi ce is easily rejected for personal happiness. Such a hedonistic impulse can only imply that the scene is aline for the fight or pleasure, in which each person will vie for the lovers hand.This fight takes a ridiculous proportion, when Oberon, king of the fairies brings forth the hobgoblin, hockey puck, to lace the sleeping Titania with love potion. Helena is shown from the cash in ones chips to be in pursuit of personal gain. This takes comic proportions when the spellbound Dymetrius and Lysander, a result of an incompetent hockey pucks mistaking of Lysander for Demetrius, fall madly in love with her. She feels that this sudden reversal must mean that the two are mocking her. So she can no longer indulge in self-importance centered pursuit, for the objects that she sought now seek her in maddening courtship. Herein lays Helenas comedy. scarcely it is finally Puck who saves the day, by removing the spell from Lysander, who consequently goes back to his affectionate relationship wi th Hermia. The band of sextet rude mechanicals, or stage actors who are to perform at the wedding of Theseus and Hippolyta, find their way into the forest where the love in idleness has caused chaos. It is Pucks mischief again, in transforming Nick Bottom, an actor, into a man with the head of a donkey. His singing then awakens Titania, who has also been cast with the love potion. This is done on Oberons command, for he wishes to procure her changeling as a henchman.This is perhaps the part, when Titania falling madly in love with Bottom, showers Bottom with all that is deserving of a nobleman, a part that is most loved by the audiences of this play. It reaches a tragicomic poise that is eloquent and base all at once (Khoury, 2006). Oberon later orders Puck to remove the curse from Titania, who in turn frees Bottom from the donkeys head. Oberon commands that Lysander should be freed of the magical hold, but it should remain on Demetrius. The serialization is complete. Theseus and H ippolyta arrive on their morning hunt and find the lovers asleep.Upon waking them, a grand ceremony is held by Oberon. Egeus agrees to Hermias union with Lysander, and a group wedding takes place. The lovers believe that the nights event must have been a dream, and watching a performance by the sextet workmen, though not particularly pleasing the lovers find a sense of pleasure and contentment. Oberon and the fairies enter afterward some time to bless them with good fortune. References Shakespeares Sources for A Midsummer Nights Dream. Shakespeare-online. com. Retrieved on 2009-11-01. The Tempest available at http//shakespeare. mit.edu/tempest/full. html Retrieved on 2009-11-01. The Tempest http//www. enotes. com/a-tempest/ Retrieved on 2009-11-01. The tempest revisited in Martinique Aime Cesaires Shakespeare. (Critical essay) Khoury, J. (2006) The tempest revisited in Martinique Aime Cesaires Shakespeare. (Critical essay) diary for Early Modern Cultural Studies September 22, 20 06 http//www. accessmylibrary. com/article-1G1-154756422/tempest-revisited-martinique-aime. html Retrieved on 2009-11-01. http//cscanada. net/index. php/css/article/viewFile/559/pdf_398 Retrieved on 2009-11-01.